![]() Far from your standard action film, “Ad Astra” projects the intimate story of a man wrestling with the legacy of his father on a canvas as expansive as the solar system. That’s a flop when you have A-lister Brad Pitt front and center in an epic space odyssey (especially during a career peak thanks to his awards season press tour for “Once Upon a Time in Hollywood”). “Ad Astra” barely broke even at the box office with its $127 million worldwide gross on a budget just under $100 million, but the film was mostly ignored in the U.S. ![]() The review adds: “It’s a team-of-scruffy-cutthroats origin story that feels honestly dunked in the grunge underworld, and shot for shot it’s made with a slicing ingenuity that honors the genre of ‘The Dirty Dozen.’” Fortunately, it appears “The Suicide Squad” found its audience on HBO Max as sequel series “Peacemaker” was a slam-dunk hit for the streaming service this year and will return for a second season. Variety praised Gunn’s vision as “cunningly scuzzy” in the way that David Ayer’s “Suicide Squad” should’ve been. Those final tallies are painfully low for a comic book tentpole, especially one carrying a $185 million production budget. Would James Gunn’s “The Suicide Squad” have been a bigger blockbuster had it not been for the pandemic and Warner Bros.’ decision to stream the movie on HBO Max at the same time it opened in theaters? We can only hope, as Gunn’s savage DC Comics tentpole deserved to gross far more than its $55 million in the U.S. The film is now available to stream on Hulu and HBO Max. Variety’s Peter Debruge named “Nightmare Alley” a critics pick and called it “a bravura noir” in his rave review, adding, “The ‘Shape of Water’ director assembles a dream ensemble for this spectacular sideshow attraction, including Cate Blanchett as the iciest femme fatale we’ve seen in ages.” Despite tanking at the box office, “Nightmare Alley” dazzled Academy voters enough to earn four Oscar nominations, including best picture. Scorsese said it was “distressing” how moviegoers were not turning out to see “Nightmare Alley,” which stars Bradley Cooper as a con man who rises the ranks from carnival worker to world-famous illusionist. Guillermo del Toro’s film noir “Nightmare Alley” struggled so much at the box office (the film earned $37 million worldwide on a $60 million production budget) that Martin Scorsese wrote an op-ed in the Los Angeles Times urging people to go see the movie in theaters. Below, Variety offers a selection of great films that flopped at the box office. Be it “Children of Men” or “The Master” or “Under the Skin,” it’s become abundantly clear that you can’t judge a movie by its grosses. Scorsese and Wright have a point, as many of the most critically acclaimed films this century got their starts as box office flops. Most of my favorite films that are considered classics today were not considered hits in their time.” Rating films by their box office is like the football fan equivalent to films. As a filmmaker, and as a person who can’t imagine life without cinema, I always find it really insulting.”Įdgar Wright is another major who has taken a stance against box office valuation, telling fans last fall during his BBC Maestro course, “The three-day weekend is not the end of the story for any movie. Understand that a film costs a certain amount, they expect to at least get the amount back… The emphasis is now on numbers, cost, the opening weekend, how much it made in the U.S.A., how much it made in England, how much it made in Asia, how much it made in the entire world, how many viewers it got. It’s kind of repulsive,” Scorsese said at the 2022 New York Film Festival. “Since the ’80s, there’s been a focus on numbers. No wonder Martin Scorsese went viral last year for railing against the industry’s obsession with box office numbers and judging films based on the strength of their opening weekend grosses. Film history is chock full of genuinely great movies that suffered abysmal box office fates. But not all of these titles deserved such a box office fate. The film joins titles such as Paramount’s “Babylon,” Universal’s “Bros” and Disney/Fox’s “Amsterdam” on the list of recent high-profile bombs from major Hollywood studios. ![]() It’s a huge financial loss considering “Fury of the Gods” cost north of $110 million to make and another $100 million to market. ![]() Warner Bros.’ latest DC tentpole earned just $30 million in its domestic box office debut, well below the $53 million the original “Shazam!” opened with in 2019. Add “Shazam! Fury of the Gods” to the long list of box office flops.
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